A muse on Marie Foley
 

What she makes has the power of sacred object: we can supply the ritual and
the ritualist - shaman or priest/ess. Or be secular citizens and admire the
craft mastery/ms.tery in her use of tool and material. We can read what she
makes as if it were a great poem - where the poem sustains 7 possible
readings including the polar opposite of our first reading.

Her work has both the strength and vulnerability of human breath. She can
make porcelain feel as thin as skin, as thick as skin. Two words I would
use about her and the work? Integrity. Compassion.

Her naturalist's eye is precise and disciplined; it draws the processes of
nature into her art, so the object is familiar. Suddenly you blink and it
functions as 'familiar'. You're in the otherworld. The object then obeys
different laws. Spirit laws.

I imagine if I had to make the whole universe up from scratch that I could
reconstruct it from a piece of Marie Foley's art - not just the weird and
oft dysfunctional culture of this island but aeons of tool use and song.
She is an anthropologist of the sublime.

Were I asked to nominate something human-made to send, say, on a space
mission to find other intelligent beings in the cosmos, I'd choose
something of hers. It would certainly show 'them' the best of what we can
be.


Paula Meehan
Dublin 2002

 

 

CONTEMPORARY IRISH ART    Edited by Roderic Knowles

Wolfhound Press 1982

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MARIE FOLEY SCULPTURE

Project Art Centre Exhibition Catalogue 1989

essay by AIDAN DUNNE below

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Marie Foley in her studio in the Grennan Mill, Thomastown Co. Kilkenny  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill, Thomastown Co. Kilkenny  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

Marie Foley in her studio in the Grennan Mill  Photograph by Tony Corey 1990

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IRISH ARTS REVIEW YEARBOOK 1991-1992

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Marie Foley

Irish Museum of Modern Art  Catalogue Essay by Brian Kennedy for solo exhibition 1993

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Irish Arts Review  Vol 29 No 4 Winter 2013

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Mapping Form    Drawing and Sculpture

2009 Catalogue essay by the Poet Moya Cannon

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TIME OUT OF MIND       IRISH MUSEUM OF MODERN ART        MAY - SEPTEMBER 2012

TIME OUT OF MIND       IRISH MUSEUM OF MODERN ART        MAY - SEPTEMBER 2012